The Atlantean Symbolism of the Egyptian Temple - 1. Atlantis

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    Atlantis The Atlantean Symbolism of the Egyptian Temple - 1, page 6 from


    Clearly, the same conception guided the hands that built those cathedrals and the temples of Egypt.

    In other words, the idea of Atlantis and its triple mountain (Trikuta) and collapsed central peak apparently lay at the root of the ancient Mystery Religions that eventually became the religions of Egypt and of Christianity, not to mention others that are not being discussed here.

    The pylons of the Egyptian temples are nearly verbatim replicas of the so-called "Mountain of Sunrise" or its dual, the "Mountain of Sunset" (or of the West), which are endlessly portrayed in Egyptian iconographies and in myths as well. This symbolism is indeed metaphoric, and is taken from India, where Mt. Meru (really the Sumeru and the Kumeru) are called by precisely these two epithets.

    What is in reality allegorized by the rising sun shining between the two peaks of the Holy Mountain is the explosion of its central peak (Mt. Atlas), bursting "with the light of a thousand suns" and disappearing under the seas, where it becomes the Primordial Abyss (Nun), whence the Sun originally rose, during Creation.

    By the way, in Egypt the sun rises and sets in the Sahara desert, rather than from the sea or even from among the mountains. So, the image of the sun rising and setting in the waters of the sea (the Nun) or from the hills of a foreign country can only have originated elsewhere. And where is that? The only place in the ancient world that fits the description are India and Indonesia, as can be seen in a map of the region. So, once more we see that both in the geographical reality as well as in the mythical image which equates the sun rising with a giant volcanism of an island over the seas can only have come from there, for all other places are irremediably wrong.

    The Hypostyle Hall

    In Fig.4 below we show a drawing of a typical hypostyle hall being crossed by a procession during a festival of the god. As can be seen from this figure and the preceding ones, both the amount of pillars and their impressive thickness are clearly exaggerated for the weight of the superstructure they had to bear.Fig. 4 - The hypostyle hall of an Egyptian temple

    The Egyptians were fine engineers, and would never commit such a mistake. Hence, we may clearly conclude that the purpose of the exaggerated number and thickness of these pillars was ritual. What ritual was that, though? In the introduction to the present essay, we mentioned the fact that the hypostyle hall was indeed a replica of the subterranean realm of Atlantis or, rather, of its tropical forest with its enormous trees. Indeed, it represents the Lost Continent sunken underground and rendered dark when the sky collapsed over it. Can we justify such an unusual assertion? We certainly can.

    The semi-obscurity of the hypostyle hall was intended to convey the idea of a nocturnal, gloomy realm like Hades and Cimmeria. This darkness is further enhanced by the decoration on the roof, which depicts the starry night sky. The same symbolism is also encountered in tombs such as the tholoi of Minoan Crete and the tumuli of Etruscan Rome, or even in the domes and crypts of certain early Christian churches. If we look again at our discussion of Fig.3, we see that this gloomy sky represents the belly of Nut, the Celestial goddess in Egyptian tradition.

    This dark abode of the dead corresponds, as we said there, to the region of Paradise, enclosed between the four Pillars of the World. But the Egyptian Paradise, their land ancestral, was Punt, the Land of the Gods.

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    Plato: Critias
    Plato: Timaeus
    Atlantis Checklist 2
    Theories about Atlantis
    The True History of Atlantis
    The Whirling Mountain of the Navajos 3
    Possible Physical Evidence of Atlantis - 2
    The Atlantean Symbolism of the Egyptian Temple - 2