Corroborating evidence on the reality of Atlantis

This means that Canopus was indeed the “Pillar of Heaven” in the times of Atlantis, for the skies turned upon it as an axis or “pole”. Indeed, certain icons of Atlas, such as the famous Farnesian marble, represent Atlas supporting the world precisely from the position of Canopus, in the Argonavis constellation. This fact confirms the identification Atlas = Canopus, the Pillar (or “Pole”) of the Skies. Osiris too, and Agastya, and other personifications of Atlantis and of the star Canopus, were often identified with the “Pillar of Heaven”. The myths of the Polynesians tell how they navigated by the star Canopus, the (southern) “Pole of the Skies” in those Atlantean times.

  • Canopus and Osiris were later identified with the Canopic jars, where the mummified viscera of the dead were buried in Egypt. These Canopic jars, with their holes plugged with wax, were the equivalent of the “Magic Calabashes” that the Polynesians used in their stellar navigations to the distant isles of Paradise. The Magic Calabashes were indeed, as some researchers have recently found out, ingenious clepsydras, sextants and compasses used in the determinations required for Celestial navigation. Indeed, the word “Canopus” means “measuring device” in Greek, attesting its true function in Celestial navigation. This fact is further attested by the use of Canopic jars in casting oracles such as directions in the high seas. In this they resembled the “talking heads” with which the Canopic jars were usually topped. Their use in mummification – where they were said to guide the pharaoh in his return trip to Paradise – is again suggestive of the pristine role of Canopic jars as “Magic Calabashes”, used in the Celestial navigation required for the return trip to Paradise.
  • The superior technology of the Magic Calabashes of the Polynesians and the Canopic Jars of the Egyptians for Celestial navigation is clearly an Atlantean legacy, as so many. And the art of Celestial Navigation – kept secret for obvious reasons – was invented by the Atlanteans, according to tradition. It is the product of a superior technology which only the Atlanteans could have developed so early in time. The Egyptians, as the Polynesians, inherited it from Atlantis, and used them in their oceanic navigations to Paradise, that is, to Punt in ancient Egypt, and to Hawaiki in Polynesia. In both cases, this means Indonesia, the true site of Paradise, as all traditions tell us.
  • Canopus was the pilot of the Argo ship, a role he still plays in the Celestial Ship represented by the Argonavis constellation. The Argonavis (“Ship Argos”) was the ship of the Argonauts in their expedition in the quest of the Golden Fleece. And the Golden Fleece is an allegory of Eden, Avalon, Idun, and other such Paradises. There grew the Golden Apples which Diodorus explains as synonymous of the Golden Apples, for in Greek melon means both “apple” and “sheep”. Moreover, the Golden Apples served for the fabrication of the Elixir of Life, the contents of the Holy Grail. Hence, all these quests of Paradise are indeed the one of the Elixir of Life and, more exactly, of Atlantis, its true name. Such is the reason why we all are so charmed with the search of this Paradise of which all traditions speak, from the dawn of times.
  • The Celestial Ship of the Argonauts, the Argonavis, is represented in the skies as a sunken ship, in the very bottom of heaven. It is an allegory of sunken Atlantis, likewise lost in the bottom of the (Indian) Ocean. Canopus is often identified with Argus, and is identified with the pilot (or the admiral) of the Argonavis, so called in his honor. He is also said to have been the pilot of Osiris in his expedition to the Indies (Paradise!). Canopus was also the pilot of Menelaos, in his return trip from sunken Troy (Atlantis!).
  • Other legends make of Canopus-Argus the co-ruler of Osiris in primordial Egypt. He ended by usurping Osiris’ throne, and kidnapping Isis, the queen. But he was ultimately defeated and killed by the outraged king. All this is, indeed, but a confused, obscure copy of the plot of the Ramayana. And the primordial “Egypt” in question is no other than Lanka, “the Queen of the Waves”.

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